Musical analysis of tonight from west side story
Burton, Humphrey. The act closes with Peter Grimes walking out into the storm, a recapitulation of the fully orchestrated first theme and a cadence in E-flat minor.
This section is now in G major, the tonic of C which is the key for this movement. These entries occur one after each other in the first 26 bars, providing maximum contrast.
Maria west side story analysis
Hamburg, Germany : Deutsche Grammophon. I take the divide in style and genre between musical theatre and opera as a divide between low and high art forms. Mozart is a very well regarded study of the life and music of Mozart. Example 7: development of the principal theme and introduction of the counter-theme with a pitch extraction. At the ninth bar this tension seemingly explodes into anger with a full and more busy accompaniment at forte and a longer and more sustained vocal line. The quaver moving inner parts are based on the forthcoming melody gar7 — verse I Rift begins the taunting and posturing in a low tessitura. In each example, there is a strong correlation between the musical material and the dramatic scenario. New York: Doubleday , and Myers, Paul.
A series of episodic material starting at Bar 94 carries forward the momentum created by the fugue. I take the divide in style and genre between musical theatre and opera as a divide between low and high art forms.
New Haven: Yale University Press These are terms used to describe a divide in artistic merit and intention: low art is describes a shallow artwork which is composed for commercial gain, and high art is a work of advanced and sophisticated construction which is composed for a more supreme benefit of humanity at large.
The colour softens the melody, and the rise in tessitura develops the expression from loving to passionate. New Haven: Yale University Press Example climax of Cool, the episode starting at Bar
West side story analysis
The interruptions of subito fortissimo provide dramatic musical gestures and give the impression that the group cannot contain 17 their fury and stress, which is ultimately proven to be true as the narrative progresses. Sound, Harmony, Melody and Rhythm Mozart is a very well regarded study of the life and music of Mozart. At 98 there is a return to the feeling of the opening of the number but the ostinato is that of verse 3 and the repeating quavers followed by semiquavers of the original verses are set in block triads for and brass, A key change to C minor leads into verse 5 Bar — verse 5 Apart from the key change this is musically the same as verse I but here Riff lone songs, imploring tony to support the Jets. It depicts a misunderstood and troubled fisherman living in a small fishing town on the east coast of England called The Borough in about , where gossip and prejudice run rife Grove online. The quaver moving inner parts are based on the forthcoming melody gar7 — verse I Rift begins the taunting and posturing in a low tessitura. It is at this point that the ensemble number Cosa Sento! The episodes derive from the fugal material, but also from the material used by the vocalists before the fugue.
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